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Headliner: NoviNews turns all that on its head by focusing on surveillance’s twin: propaganda.

~ Indie-Game-Freak Headliner: NoviNewsĮxaminations of surveillance society seemed to be an unspoken theme at this year’s IndieCade, from the satirical ( Do Not Feed the Monkeys) to the stylized (the graphic novel-inspired Liberated). The possibilities for this sort of analog/digital hybrid are endless. You only have three slots but six or seven pieces. ~ Indie-Game-Freak HOT SWAP: All Hands on DeckĪnother revelation, this thesis demonstrates a wonderfully interactive way to hot-swap 3D printed tactile micro-interfaces – imagine a tiny captain’s wheel or a lever or a fire extinguisher – to control a video game. Thought-provoking, rich and totally impractical. drug addicts wherein you try to find cash to get your next fix before capitalism wipes you out, Junk is also a robotics-driven art installation based on an essay by William S. You will very likely end up grabbing a pen and paper to annotate what’s what after your third rage-quit.Īn extraordinary multi-layered activation that is sort of a tabletop game about capitalism vs.

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In the “I could write a thesis about how indie games led to the rise of VR” department comes this awesomely immersive deduction simulation that has you making a break for it from your weird Jules Vernian sci-fi overlords in some kind of submarine robot thing – with no idea how to pilot it. I’m not sure designer Maryyann Landlord intended this to be a commentary on animal cruelty any more than I’m convinced Slime Rancher was meant as a commentary on factory farming, but the end result is certainly unsettling. Part of a demonstration of games from USC’s graduate program, Wetware combines cute, all-ages character design with a disturbing exploration of AI, drones and information security.Īs the player, via a Breakout-inspired mini-game, attempts to hack into an enemy surveillance drone, the drone, which is weirdly cute in a robotic platypus-meets-sea-turtle way, thrashes in apparent agony.

When Rivers Were Trails is the latest to explore the format, subverting it and combining it with the story-collection mechanic of previous IndieCade feature Where the Water Tastes Like Wine – no coincidence, as developer Elizabeth LaPensée wrote for that game, as well – to tell the story of indigenous peoples’ displacement in the 1890s. The “choose your own adventure” journey mechanic established by Oregon Trail continues to provide inspiration for indie developers, from zombie game parodies like Organ Trail to mythological exploration like the Finnish Please the Gods. When Rivers Were Trailsīy Elizabeth LaPensée & The Indian Land Tenure Foundation

This, after all, is why we attend.īesides the winners, we wanted to shine a light on our own standouts from this year’s premiere indie game showcase. IndieCade 2019 was more subdued in terms of its pageantry, its pared-down award show, and less general corporate presence, but the offerings were stronger than ever.

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